The Modern architecture Characteristics of Modern architecture Form follows function Alvar Aalto Frank Lloyd Wright Frank Lloyd Wright legacy Influences on architecture

Frank Lloyd Wright legacy

On August 15, 1914, while Wright was in Chicago completing a large project, Midway Gardens, Julian Carlton, a male servant whom he had hired several months earlier, set fire to the living quarters of Taliesin and murdered seven people with an ax as the fire burned. The dead were: Mamah, her two children John and Martha, a gardener, a draftsman, a workman, and the workman’s son. Two people survived the męleé, one of whom helped to put out the fire that almost completely consumed the residential wing of the house.

In 1923, Wright's mother, Anna, died. Wright wed Miriam Noel in November 1923, but her addiction to morphine led to the failure of the marriage in less than one year. In 1924, after the separation, Wright met Olga (Olgivanna) Lazovich Hinzenburg, at the Petrograd Ballet. They moved in together at Taliesin in 1925, but in 1926, Olga's ex-husband sought custody of his daughter. In Minnetonka, Minnesota, Wright and Olgivanna were accused of violating the Mann Act and arrested in October 1925. The charges were dropped in 1926. The couple married in 1928.

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Wright is responsible for a concept or a series of extremely original concepts of suburban development united under the term Broadacre City. He proposed the idea in his book The Disappearing City in 1932, and unveiled a very large (12 by 12 feet) model of this community of the future, showing it in several venues in the following years. He went on developing the idea until his death.

It was also in the 1930s that Wright first designed "Usonian" houses. Essentially highly practical houses for middle-class clients, the designs were based on a simple, yet elegant geometry. He would later use similar, elementary forms in his First Unitarian Meeting House built in Madison, Wisconsin, between 1947 and 1950.
Wright was awarded the RIBA Royal Gold Medal in 1941.

His most famous private residence was constructed from 1935 to 1939—Fallingwater—for Mr. and Mrs. E.J. Kaufmann Sr., at Bear Run, Pennsylvania. It was designed according to Wright's desire to place the occupants close to the natural surroundings, with a stream and waterfall running under part of the building. The construction is a series of cantilevered balconies and terraces, using limestone for all verticals and concrete for the horizontals. The house cost $155,000, including the architect's fee of $8,000. Kaufmann's own engineers argued that the design was not sound. They were overruled by Wright, but workmen secretly added extra steel to the horizontal concrete elements. There is a difference of opinion as to whether Wright's original design would have withstood the test of time. In 1994, Robert Silman and Associates examined the building and developed a plan to restore the structure. In the late 1990s, steel supports were added under the lowest cantilever until a detailed structural analysis could be done. In March 2002, post-tensioning of the lowest terrace was completed.

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Wright practiced what is known as organic architecture, an architecture that evolves naturally out of the context, most importantly for him the relationship between the site and the building and the needs of the client. Houses in wooded regions, for instance, made heavy use of wood, desert houses had rambling floor plans and heavy use of stone, and houses in rocky areas such as Los Angeles were built mainly of cinder block. Wright's creations took his concern with organic architecture down to the smallest details. From his largest commercial commissions to the relatively modest Usonian houses, Wright conceived virtually every detail of both the external design and the internal fixtures, including furniture, carpets, windows, doors, tables and chairs, light fittings and decorative elements. He was one of the first architects to design and supply custom-made, purpose-built furniture and fittings that functioned as integrated parts of the whole design, and he often returned to earlier commissions to redesign internal fittings. His Prairie houses use themed, coordinated design elements (often based on plant forms) that are repeated in windows, carpets and other fittings. He made innovative use of new building materials such as precast concrete blocks, glass bricks and zinc cames (instead of the traditional lead) for his leadlight windows, and he famously used Pyrex glass tubing as a major element in the Johnson's Wax building. Wright was also one of the first architects to design and install custom-made electric light fittings, including some of the very first electric floor lamps, and his very early use of the then-novel spherical glass lampshade (a design previously not possible due to the physical restrictions of gas lighting).

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One of his projects, Monona Terrace, originally designed in 1937 as City and County Offices for Madison, Wisconsin, was completed in 1997 on the original site, using a variation of Wright's final design for the exterior with the interior design altered by its new purpose as a convention center. The "as-built" design was carried out by Wright's apprentice Tony Puttnam. Monona Terrace was accompanied by controversy throughout the sixty-years between the original design and the completion of the structure.

Wright's personal life was a colorful one that frequently made headlines. He married three times: Catherine Lee Tobin in 1889, Miriam Noel in 1922, and Olga Milanov Hinzenberg (Olgivanna) in 1928. Olgivanna had been living as a disciple of Armenian mystic G. I. Gurdjieff, and her experiences with Gurdjieff influenced the formation and structure of Wright's Taliesin Fellowship in 1932. The meeting of Gurdjieff and Wright is explored in Robert Lepage's The Geometry Of Miracles. Olgivanna continued to run the Fellowship after Wright's death, until her own death in Scottsdale, Arizona in 1985. Despite being a high-profile architect and almost always in demand, Wright would find himself constantly in debt thanks in part to his lavish lifestyle. In one instance Wright was over $1,000 in debt, and reportedly would borrow $1,500 from a friend only to spend more than half of it on clothes, gifts, and trips.

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From Neoclassical to Modern architecture The Modern architecture Characteristics of Modern architecture Form follows function Alvar Aalto Frank Lloyd Wright Frank Lloyd Wright legacy Influences on architecture